The renovation project was conceived as a clear spatial composition articulated into three distinct blocks, each defined by its function, color, and atmosphere.

The “yellow” meeting area faces the street, becoming a visual landmark and a point of connection with the city. Its vibrant tone acts as an urban signal — a contemporary gesture linking the interior life of the space with its external context.

Next to it, the “black” exposition wall serves as both archive and backdrop: a continuous surface designed to display material samples, catalogs, and architecture magazines — a place where ideas take shape and evolve through dialogue.

The “gray” workspace completes the sequence, organized with long birch-wood shelves and desks that interact with the rough texture of concrete and the solidity of metal structures.

The interplay of tones and textures — yellow, black, and gray — defines the identity of the environment: dynamic yet balanced, essential yet welcoming. The materials themselves narrate the design intent, mediating between the domestic warmth of wood and the industrial strength of metal and concrete.

The result is a space that stands as a manifesto of architectural thought, where color organizes function, material defines atmosphere, and work merges seamlessly with creativity in a coherent, lived environment.